musings from the studio and beyond ~
dawn chandler’s reflections on art and life. . . .
celebration & honoring
to journal or not to journal, part 2: transforming pain
Looking back through all of my journals, I’m particularly taken by the long and slender volume of 2006.
That year was a tough one for me.
Some intense relationship challenges and persistent and unhelpful compulsive mind-speak churned extreme feelings of self doubt. In the midst of all that, I found myself waking each morning to a feeling of dread and unease.
Fortunately — and quite accidentally — I stumbled into the counsel of a friend who just happened to be a newly minted “life coach.” He offered to help me work through my anxieties as long as I would commit to doing “the work.”
Our sessions were brutal.
He challenged me to question everything I had thought or assumed or took for granted about myself and my outlook. He relentlessly called me on my bullshit, and dared me to go deeper in examining my life and my behaviors. He called in to question my reactions, my insecurities, my fears.
The Work ripped me raw.
The difference in the months between who I was before that Work and who I became after was, as another close friend put it, “like night and day.”
Like that certain stillness that comes after a storm, I was — and remain — calmer. Less anxious. More forgiving. More Balanced.
That isn’t to say there isn’t more work to do — there always is. But a transformation occurred that summer and autumn that lead me to a deep self-examination and resulted in my realization that, to a very large degree, the antics of our minds create our own suffering. This made for a massive shift in how I live and view my life.
Anyhow….
Back to my journal.
A lot of the Work I did that year was through writing, and the pages of my journal from that year are filled with torment.
However, by the dawning of the New Year an extreme shift in my awareness had taken place. As I perused my journal pages that New Year’s Eve, I was overcome with a desire to take those earlier pages of darkness and transform them into something bright. Re-imagine them, just as, in a very real way, I had come to re-imagine my life.
So I pulled out my paints and, with a bit of color here and there, re-birthed those pages.
Did I make great or art on those pages? Not likely. But the act of transformation — the process of sifting through those painful memories and letting go of their old form and metamorphose into something new was powerful.
Which brings me nine years forward to this year. As I wrote in my previous post, I was a bit aghast to discover as I read through last year’s journal what I whiner I can be, and how, ultimately, all that time spent whining is unproductive and leads to a vicious circle of egoic obsession.
So I’m taking a lesson from my 2006 self, and reinventing last year’s journal. With paint and ink and whatever else I feel like, I’m creating a workbook of painting experiments. Playful. Experimental. Bold and gentle, dark and light.
Who would have thought transforming negative into positive could be so much fun?
to journal or not to journal, part 1
Always I carry with me a blank book; a journal. It’s my Everything Book. Part diary, part sketchbook, part notebook, my journal is my brain center. It’s where I jot down things I want to remember–quotes, addresses, book titles, appointments, songs, directions. It’s where I document my travels and where, when I have a few extra moments, I sometimes draw. And, more than all of that, my journals are where I write what’s on my mind.
For thirty years I’ve been confiding in and prattling on to these pages, pouring out my heart and chronicling, dreaming. Venting. Usually in the morning, first thing, with my tea, before doing much of anything else. Julia Cameron would be proud of me, for she suggests we all spend time each morning writing our “morning pages”: three pages of putting down whatever is on our mind, getting it OFF our minds so that we can get on with our work, our Art.
And I’ve been doing that.
But you know, it’s funny: I hardly ever read back through what I write. The notations, yes; the quotes, yes; but rarely the “journaling.”
Then sometime late last fall I read somewhere an article that was about setting and achieving goals. The writer keeps a yearly journal—or at least a working notebook of his goals—and at the end of each year, he reads back through the year’s pages to remind himself of his goals and achievements, and see what remains undone and what he might carry forward into the new year.
That struck me as an interesting idea, and so shortly into the new year I decided to do just that.
And here’s what I discovered:
What a whiner I am!
Jeez-Louise! If for every time that I started my day with 20 – 30 minutes of venting about “not having enough time to paint” and instead I had simply PAINTED, I would have done A LOT MORE PAINTING.
Me Me Me Me Me! My journal writing just seemed so……. Self. Centered. So….. EGOIC. So filled with whining drivel.
Rather than release my anxieties and frustrations, it almost seemed to harbor them; to fester them. I couldn’t help but feel like rather than serving to help me let go of my anxieties, these pages were inviting me to keep them alive.
When every thought absorbs your attention completely,
when you are so identified with the voice in your head and the emotions
that accompany it that you lose yourself in every thought and every emotion,
then you are totally….in the grip of the ego.
— Eckhart Tolle
This was one of those sledge-hammer-to-the-head wake-up-call-moments.
I decided: No. More Journaling!
Or at least, no more sitting down and writing to C O M P L A I N.
No more starting my day with bitching to myself and whining about this or that.
Instead, start the day painting.
And if I want to write down my thoughts with pen and paper, write a letter to a friend instead. Reach out and use that writing time to nurture meaningful and thoughtful connections with others; enough with writing to My Self!
That was three months ago.
Wouldn’t you know it but my painting time has increased hugely this year.
And so has my letter-writing.
a surefire way to humble yourself as an artist….
Yesterday was Vincent Van Gogh’s birthday (March 30, 1854). Happy Birthday Vincent! I could think of no finer way to honor him than by getting outside and painting en plein air—my first outdoor excursion of the year! Hooray!
Nor can imagine a more surefire and immediate way of humbling and frustrating myself as an artist than getting outside and painting en plein air for my first outdoor excursion of the year….
Ugh.
I haven’t painted en plein air since my October art residency at the Brush Creek Ranch.
Mind you, I’ve been painting. Oh MAN have I been painting! [More about that in a future post].
But not ‘traditional representational landscapes.
And not with oils.
And certainly not outside.
Till yesterday.
‘Been wanting to!
‘Been meaning to!
But….’Been so busy with other aspects of being an artist [More about that, too, in a future post].
But when The Met Museum reminded me yesterday via Instagram [More about that in a future post, too.] that March 30 is Vincent Van Gogh’s birthday, I thought, “THIS IS IT! I’VE GOT TO GET OUT AND PAINT TODAY!”
And so I did.
For the first time in months.
And if you are like me and you haven’t painted since last season, then this is what you have to look forward to:
— Forgetting your cool little stool.
— Discovering the the first 3rd of your tube of Titanium White paint is dried and needs to be gouged out with some kind of implement which you don’t have. (Finally found a small pocket knife in the bottom of my pack).
— Getting alizarin crimson all over your hands and clothes (note left edge of paint box)
— Dropping your loaded paintbrush in the dirt.
— Discovering you didn’t bring enough paper towels.
— Discovering you don’t have a bag for your soiled paper towels.
— A stiff back from sitting awkwardly on a rock that was just a wee bit too high.
— Setting out on a clear sunny afternoon and, just as you’re getting into your painting and the gorgeous play of sunlight on the foothills and spring time trees, having clouds appear out of nowhere—NO WHERE!—and suddenly kill the sunlight and shadows, effectively deadening your scene.
— Despite it all, being utterly overjoyed to be out there painting!
the art of writing made yet more artful: the new mexico landscape note cards
Friday afternoon I released to the world my new Note Cards: six beautiful cards, each with a different New Mexico Landscape painting. The scenes are the series of paintings I did last summer based on my friend Russell Smart’s photographs from the Philmont Ranch in Colfax County. The note cards are for sale on my online store for $18.50 per packet, which includes shipping. [Shop for them here.] With my prints starting at $75 and paintings starting at $180, I wanted to have an item for under $20, and this fits the bill nicely. I also love the idea of encouraging others to engage in the slow and lovely act of hand-letter-writing.
On FaceBook I offered a free packet of cards to the first 15 people who ‘share’ my announcement about the card. I then stepped away from my computer for a little while to tend to some other project. When I returned a few minutes later, ZOUNDS! well over than 15 people had responded!
THANK YOU!
So….. I doubled it — Actually, more than doubled it! And with gratitude for people’s enthusiasm mailed out OVER FORTY FREE PACKETS of note cards (close to $1,000 worth!) to anyone who, within 24 hours of my initial post shared my post on FB and messaged me their mailing address.
So now people? I need you to start buying note cards! 🙂
To sweeten it, here’s a coupon code for 20% off everything in my shop: DAWNSCARDSROCK2015
[Coupon good through Valentine’s Day 2015 — though please note that orders placed between January 25th and February 3 will be filled on February 4th & 5th.]
Thanks, All! I appreciate your interest and enthusiasm!