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musings from the studio and beyond ~

dawn chandler’s reflections on art and life. . . .

 

5.30.13 — remembering the mesa


remembering the mesa ~ by dawn chandler ~ oil and mixed media on panel ~ 8″ x 8″ ~ copyright dawn chandler 2013

I love this one. 

Something about it — that certain radiance of blue? the gold archway? the pure white of the clouds? — reminds me of that jewel-like quality of illuminated manuscripts.  Only here, the “manuscript” is concealed; words are revealed, but just barely.

The mesa pictured here is of my imagination; it’s anywhere you want it to be.

5.25.13 ~ which spirit would you choose?

thinking about it all at the end of the day ~ mixed media on panel ~ 8″ x 8″ ~ copyright dawn chandler 2013

dream blue, dream fire ~ mixed media on panel ~ 8″ x 8″ ~ copyright dawn chandler 2013

Which one would you choose?

A collector friend came calling this week, inspired by my “Studio Notes Newsletter” I mailed out earlier in the month. She saw the couple of my new “Spirit Notes” featured there and wanted to see more. Out of a dozen (so far) completed paintings in this series, she’s narrowed her selection to these two. But she’s going to hold off on making her final selection until opening night of my show in August, just in case she’s tempted by some of the Notes I’ve yet to create. 

Some details:


thinking about it all at the end of the day ~ mixed media on panel ~ 8″ x 8″ ~ copyright dawn chandler 2013

dream blue, dream fire ~ mixed media on panel ~ 8″ x 8″ ~ copyright dawn chandler 2013


 


5.22.13 ~ the trail to pueblano

the trail to pueblano ~ by dawn chandler ~ oil on panel ~ 12″ x 24″ ~ copyright dawn chandler 2013

Ohhhh…..Nature’s pathways….How you ease my troubled mind….

‘funny how even just a picture of a pathway can do that….

 
Here, we’ve just descended the trail from Wilson Mesa (remember all those previous paintings of “Baldy from Wilson Mesa”?) and are now headed eastward toward Pueblano, one of Philmont’s most beloved North Country camps.

–sigh– 


‘Nothing like a path to lead me places…particularly to distraction… Good distraction….

 

5.17.13 ~ of books and pilgrims and journeys



Today is an extraordinary day.

For today I finished reading Pilgrim at Tinker Creek, by Annie Dillard. 

That fact isn’t particularly extraordinary in itself. Rather, what’s extraordinary is that on this exact day 28 years ago, I finished reading this same book. That’s right: on May 17, 1985 I finished reading Pilgrim at Tinker Creek. That was the first time I read it. Today concluded my second reading, and I didn’t even plan it this way; had no idea this year that when I read it before I closed the book on this same day three decades prior. 
Purely chance.

I find that remarkable.

How do I know this though, you may wonder, the book I read on a date some third-of-a-century prior ?

It’s because I keep a list of every book I have ever read. 

Since the age of fourteen on the day I finish reading a book, I have jotted down the title, author and date of the book. 
Every book. 

Every. 
Book. 
I. 
Have. 
Ever. 
Read.


I have my parents to thank for this unusual record-keeping. My father started his list on June 10, 1947 at the age of 16 with the entry of Loves Labors Lost by William Shakespeare; my mother started hers a year and a half into their marriage with Eleven Blue Men by Berton Roueche on November 17, 1955. Above that first entry is printed in my father’s careful hand Marion’s Reading List — her little blank book a clear gift from him.


 

I love to do this: to finish a book and add it to my list. I love looking back to see what other books in previous years I finished that day. Imagine my surprise and thrill to discover this same date and book today jotted down nearly three decades ago.


But why would I return to read again a book I’ve already read?

Because I’m feeling a hunger to return to these Nature writers. I’m feeling a yearning that I haven’t felt in decades; a hunger, really, to take a long journey. To become a pilgrim again, in the ways of Nature. To pry secrets, take my chances, stalk and be changed, as Annie says.

In the cool of the evening…I am prying into secrets again, and taking my chances. I might see anything happen; I might see nothing but light on the water. I walk home exhilarated or becalmed, but always change, alive. “It scatters and gathers, Hericlius said, “it comes and goes.” And I want to be in the way of its passage, and cooled by its invisible breath.

I want to take to the trail, the pathway, and journey again..

How perfect then, that the first book I entered in my book of books on May 31, 1978 was a book of a long journey. That book?




5.13.13 ~ the philmont museum : the gift of inspiration

Last Thursday night I had the pleasure of driving over to Cimarron and attending the opening reception of The Gift of Inspiration at the Philmont Museum.





How inspiring to see such creative excellence gathered together in one room. What fun to recognize the names on the wall of friends and peers.

The work of multimedia artist Buster Simpson (left) and retablo artist Charlotte Hollis (right).

Musical instruments by Russ Wolf on display in a case, with the music of Timothy Seaman softly playing throughout the museum.

Philmont seems to be especially fertile ground for inspiring photographers….

Here There Be Witches by Greg Russell

The Jumper by Mark Rikard

A suite of photographs by Daniel Overturf

And of course painters, including my good buddy, Jeff Segler:
 

Heading for Summer Pastures ~ oil on linen ~ by J. W. “Jeff” Segler


The art of Keith Walters

The craft of Steve Rick.

The Philmont experience has even inspired the creation of games! (It was impossible to photograph the pinball machine without a gaggle of kids — and dads! — around it… I finally gave up!)

The dazzling creative world of games master George Gomez.

How moving to read their words of how their experience at Philmont uniquely shaped them. 

 Photographer/farrier Mark Rikard reflects on his Philmont experience.

And what a privilege to see my own art upon the wall in the company of such fine artistry.

Have You Gazed…. (Baldy Mountain from Wilson Mesa, Reconsidered) ~ mixed media on panel (diptych) ~ 36″ x 72″ ~ by Dawn Chandler





Fun, too, to see so many familiar faces among the crowd mingling through the museum, admiring the exhibits!

Real live cowboy and musician extraordinaire Rod Taylor admiring the work of his long-ago colleague in the Horse Department, Mark Rikard

  

A hearty BRAVO to the Philmont Museum, the Philmont food service staff, and everyone else involved in orchestrating such a wonderful event.
Thank you!